Ukrainian DJ and producer Karry G unveils her new EP ‘Ti La La’ — a two-track release rooted in melodic techno, yet emotionally spacious and deeply human. With every sound designed to breathe, this is music you don’t just dance to — you live in it.
“I don’t believe in chasing trends. I believe in rhythm — the kind that stays with you even after the track ends,” says Karry G.
Created in collaboration with meticulous sound producer Vadym Porotkov, the EP includes the hypnotic ‘Ti La La’, where sensual groove builds into a pulse-driven club experience, and ‘This Is It’ — a meditative, open composition that echoes with space and depth.
“‘Ti La La’ is about the body breathing in rhythm. About the state where music replaces language. I wanted to create something you can get lost in — no rush, no show-off — just presence,” she explains.
Fashion is Part of the Sound
For Karry G, style is more than a surface. Her stage image is a continuation of her sonic identity — a way to communicate mood, rhythm, and emotion even before the music starts.
“I dress like I sound. If the track is deep and minimal, I wear something subtle. If it’s bold and charged — I go provocative. Clothing is just another way of mixing energy,” she says.
Off-stage, she prefers clean silhouettes, unexpected textures, and functional comfort — all with a hint of surprise. Sometimes she even blends traditional Ukrainian elements into her modern aesthetic, creating a visual echo of her roots in electronic form.
“Style should be real. When it’s true to you, it becomes part of your rhythm. Before I play a single beat, people should already feel the mood I’m bringing,” Karry adds.
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‘Ti La La’ — A Soundtrack to Stillness and Movement
Karry G’s work continues to blur the lines between genres, emotions, and disciplines. With Ti La La, she delivers a release that lives both on and beyond the dancefloor. A reflection of her personal rhythm, her creative independence, and her deep belief that music and style are simply two ways of saying the same thing.
“I want my listeners to feel held by sound. Not pushed, not pulled — just supported in being present. That’s what ‘Ti La La’ is about,” she concludes.
